The Artistry of Bill Evans Vol.2 [Paperback] Review

This is actually Volume 2 (1995), and contains EIGHT (not eighty) transcriptions of Bill Evans piano parts off the recordings. This collection is better than Vol. 1.First, vol. 1 did not transcribe thecomping behind the bass solos.Second, vol. 1 focused on the late Fantasy& early Warner Bros. recordings (1970s), while this collection rangesfrom the first trio on Riverside, some Verve solo and trio sides, and solosides from Fantasy. Gripe: when transcribing trio recordings, is it toomuch to ask that the bass part also be transcribed? Songs: "AutumnLeaves" (mono version), "Spring is Here," and "What isThis Thing Called Love" from PORTRAIT IN JAZZ; "Here's That RainyDay" from ALONE; "I Should Care" and "Make SomeoneHappy" from TOWN HALL; "The Touch of Your Lips" and"What Kind of Fool am I" from ALONE (AGAIN). No extras (vol. 1had a short essay and photos).

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Eighty transcriptions from the late, great jazz master Bill Evans. Titles are: Autumn LeavesHere's That Rainy DayI Should CareMake Someone HappySpring is HereThe Touch of Your LipsWhat Is This Thing Called Love?What Kind of Fool Am I?

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Jazz Improvisation: Tonal and Rhythmic Principles [Paperback] Review

This serious, authoritative book turned me on to jazz.The author presents the material inbite size chunks.He has a gift for pulling structure from the chaos. This is not Jazz-For-Dummies.The reader isexpected to be hard working, but needs no previous experience with jazz. The reader should have access to a piano to play the various chordsequences, but the lessons are invaluable to all instrumentalists.
Onedownside to this book it that you have to learn the author's unusualnotation (figured bass), but the power of this notation is also the book'sgreatest strength.The notation reveals the structure of jazz and thesimilarities between the songs.And, hey, Bach used the same notation, soit can't be all bad.
The author gives the chord changes to many commonjazz songs.Usually no particular artist or recording is referenced.So,the reader has to hunt around to find performances that resemble thechanges the author has given.
Once again, this is my favorite book on thesubject.It is never unnecessarily pedantic.It never waters downdifficult concepts.The way the book talks about music is how musiciansthink about music.If this book is not enough, other books in this seriesby John Mehegan pick up where this one leaves off.

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The fundamentals of jazz are here explained and systemized in 70 lessons based on 60 jazz standards. It covers the styles of musicians from Buddy Bolden to Dizzy Gillespie.

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Joe Pass Chord Solos: For Guitar, Vibes & All Keyboard Instruments [Paperback] Review

These are not "Chord Melodies". Rather they are chord improvisations over the changes of six tunes: Misty, Billie Joe, a Blues in Bb, Watch What Happens, Sunny and The Days of Wine and Roses.
Very dense chord arrangements showing different harmonic possibilities with the basic changes. I recorded these as I learnedthem, so I could listen to them to really absorb the material.
Joe gives no harmonic analysis at all, so it is up to the reader to figure out the theory, and boy, there's lots of it.
I'm a professional jazz guitarist and teacher....playing nearly forty years, and I still review these and pick chord licks that I like, transpose them to other keys, positions and strings, analyze the voice leading, chord substitutions, etc. I've had this book for years, and lots of it has slowly seeped into my playing. I'll play a piece, pick a chord lick that I like (like any one of them), and then try to apply it to my improvisations in other tunes.
In my opinion, for advanced players, this is one of the best books out there to dig into some really lush and melodic chord playing. I found it tough reading....and I'm a pretty advanced player. But I have worked through most of the major guitar books out there and this one is one of my mainstays.
While I'm here, I'll also recommend:
Fusion - Joe Diorio
Joe Pass on Guitar
Howard Roberts Guitar Manual Chord Melody
For players new to jazz and not so advanced, a standard book is
Mickey Baker Jazz Guitar Volume 1.

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Product Description:
The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation.

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Beginning Jazz Keyboard (Book & CD) [Paperback] Review

This book is a great investment if you are new to piano and love jazz or are stuck in major/minor boredom and want to look into more exotic chords and scales. I am a drummer/guitarist who wanted to learn more about theory, finally go beyond the "hunt-and-peck" stage on my keyboard, and understand the world beyond the pentatonic scale on my guitar. I feel very enlightened, and especially love the tables that summarize all the key info, and a CD is always a bonus. Enjoy!

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Product Description:
Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano, Lesson Book 2) can dig right in and begin learning jazz right away. Spanning from the major scale and basic triad theory all the way through 7th chords, pentatonic scales and modulating chord progressions, this book features a full etude or tune demonstrating every new concept introduced. Beginning Jazz keyboard breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. The CD demonstrates examples and offers opportunity to play along.

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The Definitive Jazz Collection (Definitive Collections) [Paperback] Review

No "fake book", or "real book" this.You get full, well-thought-out harmonizations.This isn't how Jazz pianists acquire their numbers, but hey, this graduate of the weekly visit to the traditional read-the-music-and-play-it-exactly-as-written piano teacher likes it just fine this way.Having played through about 25% of the songs, I'll say there are no really bad arrangements, and quite a few very good ones.The technical difficulty is toward the higher end of the non-classical stuff you find in the music stores -- the average song is about as hard (if you want to play all the notes) as a Chopin Waltz or a Clementi Sonatina.

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A once-in-a-lifetime collection of 90 of the greatest jazz songs ever compiled into one volume. Includes: Ain't Misbehavin' * All the Things You Are * Birdland * Body and Soul * A Foggy Day * Girl From Ipanema * Here's That Rainy Day * The Lady Is a Tramp * Love for Sale * Mercy, Mercy, Mercy * Midnight Sun * Moonlight in Vermont * Night and Day * Skylark * Stormy Weather * Sweet Georgia Brown.

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Tons of Runs: For the Contemporary Pianist [Paperback] Review

I'm not a big fan of lick and pattern books, but this one has my seal of approval... and more than that, I HIGHLY reccomend it.There are lot's of ideas in here, some powerful stuff. Really hands on Jazz language material, some that if you're a more experienced improviser you might be using instinctively already, and some you wonder why you haven't touched on all along. The idea is to take them and build upon them...Within hours of getting the book, I immediately tuned out the outside world and was having fun experimenting with it... Some other things I like about it :The licks are in more than one key, suggested fingerings for more difficult ones, they're over a nice variety of patterns, typography is nice, and they're stuff that real people actually play, not just text book prototypes.
I venture to say, that of the books I'm familiar with, this is the best one out !!! Great stuff for professionals as well as folks just getting into improv... and not just for pianists !

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TONS OF RUNS is a wide-ranging compendium of runs, licks, and lines found in the jazz vernacular, each written in three different keys, and presented in a straightforward style without ponderous analysis.This book contains useful phrases derived from chord tones, passing tones, resultant scales, and scale-tone chords that piano players can use right away as vocabulary enhancers. These are the raw material and tools that piano players everywhere can use to polish their performance and improvisation skills, and even create new and more interesting ways to play the music they already know!

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Jazz Piano Best of Bk/Cd (Signature Licks) [Paperback] Review

I don't remember exactly what I was thinking when I purchased this book, but it had something to do with learning licks and styles from accomplished jazz musicians. That is to say, I was looking for a shortcut. I'm finding out what I already suspected, however: there are no shortcuts. What this is then is a road map, with signposts giving a clear concise sampling of solos and riffs in differing styles from eleven great jazz pianists. There are some easy runs and some hard runs, and some slow songs and some fast songs, bits of fifteen different songs in all. There's no fingering marked in the text, so having an instructor to point things out will make this book more practical. The book is staple bound so it works well on the music stand. As near as I can tell, this contains only pieces of songs, so the serious musician will definitely have to have a songbook handy (but what jazz pianist doesn't already have The Real Book: Sixth Edition?). The highlight of this book is the CD that comes with it, which contains samples of the songs, usually both with a backing band and without, as well as examples of the solos at a slower pace and at speed. Fast forwarding through them and back to them is a bit of a chore (there are 94 sample tracks), but having that resource is really great, and the book includes markings for where each track is used, making the pair way more useful. There are also brief biographies of each of the musicians covered, which I think is a nice touch. In short, it is hard not to like this book and CD set. It is well thought out, well executed, interesting, and productive. No, it isn't a shortcut and you will still have to practice. (Sorry.) And though it might not fit every pianist's concept of a learning tool, it fits mine to a `T' and I will get a lot of use out of this book for quite some time.

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Learn the piano styles and techniques of Bill Evans, Oscar Peterson, Errol Garner, Nat "King" Cole, Ahmad Jamal, and more with this great book/CD pack. Rizzo teaches the styles using examples from actual songs, 15 in all. Includes: Caravan * Come Rain or Come Shine * How Deep Is the Ocean (How High Is the Sky) * I'll Remember April * In a Sentimental Mood * It's Only a Paper Moon * No Moon at All * On a Clear Day (You Can See Forever) * Satin Doll * Speak Low * St. Louis Blues * Stompin' at the Savoy * Take the "A" Train * There Is No Greater Love * Wrap Your Troubles in Dreams (And Dream Your Troubles Away). CD includes demonstrations of each.

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88: The Giants of Jazz Piano [Hardcover] Review

A bonus 11-track cd comes with this portrait of eighty-eight pioneers and players of jazz piano, from Jelly Roll Morton to Benny Green. Here are insights on lives, techniques, and changing perspectives on jazz piano styles and artistry, enhanced by the author's personal experience as a jazz pianist and his original interviews with many of the players. Avid fans of the genre will find The Giants Of Jazz Piano positively absorbing.

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This handsome, insightful hardcover volume delves deep into the music of 88 visionaries who have made an indelible mark on the world of jazz through their mastery of the pianoÃ-s 88 keys. This engaging collection describes the intriguing personality and performance characteristics of each pianist. Seven major figures are covered in depth: Jelly Roll Morton, Earl Hines, Art Tatum, Thelonious Monk, Bud Powell, Keith Jarrett and Cecil Taylor. Other featured artists include: James P. Johnson, Count Basie, Duke Ellington, Nat "King" Cole, Oscar Peterson, Les McCann, Herbie Hancock, Dave Brubeck, Billy Taylor, McCoy Tyner, Chick Corea and 70 others, in styles ranging from stride to swing, bebop to post-bop, funk to avant garde, and more. Includes a bonus CD with 11 great jazz tracks, 100 photos, and a foreword by Keith Jarrett.
"Like great solos, these essays have grace, wit, and a sense of personal involvement ... Immensely valuable stuff!"
- Dick Hyman

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