The Artistry of Bill Evans Vol.2 [Paperback] Review

This is actually Volume 2 (1995), and contains EIGHT (not eighty) transcriptions of Bill Evans piano parts off the recordings. This collection is better than Vol. 1.First, vol. 1 did not transcribe thecomping behind the bass solos.Second, vol. 1 focused on the late Fantasy& early Warner Bros. recordings (1970s), while this collection rangesfrom the first trio on Riverside, some Verve solo and trio sides, and solosides from Fantasy. Gripe: when transcribing trio recordings, is it toomuch to ask that the bass part also be transcribed? Songs: "AutumnLeaves" (mono version), "Spring is Here," and "What isThis Thing Called Love" from PORTRAIT IN JAZZ; "Here's That RainyDay" from ALONE; "I Should Care" and "Make SomeoneHappy" from TOWN HALL; "The Touch of Your Lips" and"What Kind of Fool am I" from ALONE (AGAIN). No extras (vol. 1had a short essay and photos).

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Eighty transcriptions from the late, great jazz master Bill Evans. Titles are: Autumn LeavesHere's That Rainy DayI Should CareMake Someone HappySpring is HereThe Touch of Your LipsWhat Is This Thing Called Love?What Kind of Fool Am I?

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Selections from a Dave Brubeck Christmas [Paperback] Review

Exactly as described and exactly what our grandson disabled with spina bifida wanted to give his Piano Playing Dad for Christmas. They both love jazz and Dave Brubeck.It is so nice to be able to find what I want on Amazon.com and have it delivered in a timely manner!

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Dave Brubeck, the genius of jazz, provides us with his distinctive renditions of Christmastime favorites. Titles are: Away in a Manger * Cantos Para Pedir las Posadas * "Homecoming" Jingle Bells * Joy to the World * O Tannenbaum * Silent Night * To Us Is Given * What Child Is This (Greensleeves) * Winter Wonderland.

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Modern Jazz Piano: A Study In Harmony And Improvisation (Music Sales America) [Paperback] Review

This book completely changed my understanding and level of jazz piano playing.It is short and to the point, yet carefully written and complete.I like the fact that the author is a trained engineer.As a computerprogrammer I can identify with the way the book is layed out very logicallywith the assumption that the reader is intelligent, interested,andmotivated.I read the entire book while on trains going to and from work. I think it would have been a distraction to have read it while at a piano. The chord pattern excercises at the end of the book are excellent; I ammethododically going through all of them using a PC based sequencerconnected via midi to an electronic keyboard.If you only buy one bookon jazz piano, I think it should be this one. The next book to readafter this one, in my opinion is "All about Chords".I am almostfinished reading it;I could never have handled it if I hadn't read"Modern Jazz Piano" first. The two books together aremagnificently complete. I have a quite a library of jazz piano and jazzbooks; most of them are padded and not of much use."Modern JazzPiano" is by contrast a classic that every jazz pianist should have.I lost many years because I was brain-washed into believing the JohnMehegan jazz system as taught at Julliard was the only way to learn jazz. Inow believe the Julliard system is hopelessly complicated and noteffective.The traditional harmony systems used in "Modern JazzPiano" are the best and also the most popular.It is not somethingesoteric that only propeller heads know about. Buy it and hold onto it. Even if it sits on your bookshelf for years, there will come a day when itwill speak eloquently to you and change your level of playing andunderstanding.

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Based on the authorÂ's experience in teaching in jazz workshop, explains the principles of this art form. Useful for teachers wishing to include jazz in the music curriculum.

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