Showing posts with label digital piano. Show all posts
Showing posts with label digital piano. Show all posts

Yamaha DGX230AD 76 Key Portable Grand with power Review

Yamaha DGX230AD 76 Key Portable Grand with powerAside from it now being affordable (I bought it when it first came out at around $900), this is a high quality digital piano.The sound is utterly incredible, clear cut and crisp.Basic operation is simple, the weighted keys match those of actual piano keys...the feel is all there.This is perfect for those fluid in their craft, going from in studio to performing in shows.It is fairly heavy, requires 2 people to transport.It is well made, can take serious rough wear and tear from moving and constant use.

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Product Description:
The Yamaha DGX-630 offers an affordable, feature-packed portable keyboard that boasts an authentic grand piano-like touch: heavy in the low end, feathery light in the highs, and amazingly responsive throughout. It also includes USB MIDI and USB to Device for removable storage, along with a high resolution Live! Grand stereo sample, song recorder, score and lyric display. The USB facilitates easy transfer with a PC or Macintosh computer for use with many optional software packages that can score, arrange, and sequence your music. Can't play a keyboard instrument? Yamaha Education Suite helps you get started. With nearly 500 voices and built-in stereo speakers, the Yamaha DGX-230/AD is truly a grand keyboard music instrument that you and your family will enjoy.Pitch bend wheel to add smooth pitch variations to notes playedVoices - 116 panel voices + 12 drum/SFX kits + 361 XGlite voices, Polyphony -32, DUAL and SPLIT modesStyles - 160 Preset Styles + External files, Style Control -ACMP ON/OFF, SYNC STOP, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL, Fingering -Multi Finger, Full Keyboard, Style VolumeMusic Database -300 + External filesEducation Feature -Dictionary, Lesson 1-3, Repeat & LearnRegistration Memory -8 banks x 2 typesEffects - Reverb -9 types, Chorus -4 types, Harmony -26 types30 Preset Songs + 5 User Songs + Accessory CD-ROM with 70 moreAuxiliary jacks -PHONES/OUTPUT, DC IN 12V, USB, SUSTAINAmplifier -6 Watts per channel to two 2-way on-board speakers -12cm x 2 + 3cm x 2Power Supply - Adaptor -PA-150 (included) or an equivalent recommended by Yamaha, Batteries -SixDsize, R20P (LR20) or equivalent batteries (optional) Unit Dimensions (W x D x H) -1,178 x 412 x 137 mm (46-3/8 x 16-1/4 x 5-3/8); Weight -8.3kg (18 lbs. 5 oz.) (not including batteries)Supplied Accessories - Music Rest, Accessory CD-ROM, Owner's Manu

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Casio PX200 Privia Digital Piano with Hammer Action Review

Casio PX200 Privia Digital Piano with Hammer ActionI'm a semi-pro jazz pianist. I own an old Balwin baby grand and a top end Roland rd700sx keyboard. I bought the Casio as a practice keyboard at my summer home. I couldn't be more pleased with it. The action is very heavy (a good quality) - heavier that either of my other pianos, but not as much as your average Steinway grand. But the action is also very responsive and quite a pleasure to play. The primary piano sound is balanced and nice to listen to (the others not so).
The tone is no where as beautiful or as expressive (wide dynamic range) as my Roland, but the Roland cost 4 times as much!.

It is very useful for practicing and the built-in speakers are loud enough to play in a party setting. I've used it for gigs with a stereo amp and it's very adequate - and weighs 27 lbs. I've seen it selling for less at other online musical instrument sites so check around.

All in all a very nice keyboard and well worth the cost.

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Product Description:
The PX-200 takes digital piano sound quality to a new level. This Privia model truly raises the sound bar. Grand piano sound and feel in a portable keyboard that easily moves from the home to the stage or the studio.

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Yamaha YPT-310 61 Full Size Touch Sensitive Keys with 500 Tones and 32-Note Polyphony Review

Yamaha YPT-310 61 Full Size Touch Sensitive Keys with 500 Tones and 32-Note PolyphonyReviewers have a wide range of opinion regarding this keyboard, with some claiming it is terrific and others that it is awful.This note attempts to reconcile these different claims and help potential buyers make the best decision.

1.The YPT-310 is functionally identical to the earlier model YPT-300.The new model changes simply made the device more environmentally friendly ("greener").

2.The YPT-310 is not a piano.A piano doesn't need batteries or an adapter that plugs into an outlet.If you are willing to pay thousands of dollars, you can purchase a piano that produces wonderful sounds, and the key action has a good feel.On the other hand, pianos take up a lot of room. They need to be regularly tuned.They are sensitive to humidity and temperature.Eventually a piano will need to be repaired.The sound you create on a piano can bother your neighbors.In addition, pianos produce only one kind of sound, that which is generated by hammers striking strings.(Some people have done bizarre things to pianos, such as putting tacks into the hammers, but most of us are not going to make these modifications).

Pianists who have played a great deal of piano music, who have no interest in expanding their palette of musical tone color, or who have neither the time nor desire to learn about the controls on a modern synthesizer are unlikely to be happy with the YPT-310.On the other hand, someone who appreciates the tone color of different instruments and is willing to invest a small amount of time learning about synthesizers, will find that this keyboard opens up a whole new world of musical possibilities.

3.Sustain Pedal (foot pedal). The sustain pedal allows the sound to continue after you release a key.This is critically important; without a sustain pedal, you have only half an instrument.This keyboard does not come with a sustain pedal; you will have to purchase it separately.The pedal costs very little, and the cheapest one (about $15) can be glued to a piece of wood to keep it from moving around under foot.

Note: when you power up the YPT-310, the keyboard software "assumes" the foot pedal is not depressed.If the sustain stops when you press the foot pedal, that means you had it depressed when you turned on the keyboard.

4.Sound Quality.There are three ways to produce sounds from the keyboard.You can use the speakers that are part of the device; you can use the headphone jack and the analog signal available there to externally produce sound; or you can use the MIDI interface to have external equipment generate sound based on key press characteristics.The YPT-310 is capable of producing fabulous sounds as well as horrible sounds.The following notes give further details and make some specific suggestions on how to produce the more pleasing sounds.

5.Speakers and Headphones.The built-in speakers have very limited bass response; that is, the low frequency sounds (sounds with a low pitch) are weak.Ironically, some of the most beautiful sounds the YPT-310 can produce are in this low frequency range.The violin (instrument 53), flute (instrument 84), and Vibraphone (instrument 101) are examples of this.In order to hear these sounds, rather than the poor imitation coming from the built-in speakers, you will need headphones or the ability to connect the headphone output jack to a more capable sound system.If you want to listen to some of the beautiful sounds this instrument is capable of, check out the 30 second samples of the music found on the Time album at http://cdbaby.com/cd/peterbaum. The voices from the keyboard were sent via the headphone jack to a computer where they were mixed using multi-track software.Typical of professionally mastered CDs, post processing was performed on some of these tracks using software; for example, echo effects were sometime used and multiple tracks laid down to create ensembles.However, the instrumental voices heard on every single track were generated by this inexpensive keyboard.The quality of the 30 second samples isn't the best possible, since they are in MP3 format, but you will hear some amazing sounds if you are using headphones or a good speaker-driven sound system.The tracks on the CD itself sound better.More information about the YPT-310 voices used on each track of the CD can be found at http://mysite.verizon.net/aesir_research/Peter%20Baum%20-Time-%20Notes.htm).

6.Listening Environment.Your music listening environment can dramatically change how the music is perceived.For example, most cars are not good places to listen to music, especially if you don't use headphones.If you are composing music, your sonic environment can also influence the content of your compositions.

7."I Hate Synthesizers."There are some people who simply hate the sound of synthesizers; they often describe the sound as harsh, mechanical, or cold.In addition, there sometimes is an unnatural, high frequency component to the sound.I agree that some sounds from some synthesizers have these characteristics, and I will even agree that many of the sounds from the YPT-310 sound this way.However, I also found very pleasing sounds among its many voices.Even the sounds that are less than pleasing can be put to good use.I found that some voices, such as the bassoon, could be made warmer by using the built in dual voice function to add an accompanying string section.I also found other sounds that became important compositionally, even though they sounded cold as solo voices.

8.Finding Beautiful Sounds.Because of the way this synthesizer generates different notes based on a sound sample from a real acoustic instrument, the tone quality (sometimes called tone coloration or harmonics) can depend on the pitch of the note.This is also true of real acoustic instruments, the bassoon being a striking example.As I mentioned previously, the violin, vibraphone, and flute sound especially good in their low registers on this keyboard.The "Clavi," "Baritone Sax," and "Fretless Bass 4" voices do too.Some instruments sound best when played in a range that is higher than normal.For example, the Oud sounds like a sweet, tiny bell in its upper register.If you want to produce a variety of useful sounds, you have to be willing to explore the keyboard by sampling different voices in a variety of registers and other settings.

9.The Bottom Line.For around $150, this is an amazing instrument.It can be used to produce professional quality music, if its limitations are respected and its strengths taken advantage of.

Click Here to see more reviews about: Yamaha YPT-310 61 Full Size Touch Sensitive Keys with 500 Tones and 32-Note Polyphony

Product Description:
Yamaha's 61-key YPT-310 is a great way to get started with keyboard/piano playing, featuring 61 touch-sensitive keys, 482 voices, a music database and stereo speakers. Plenty of fun sounds and an advanced set of helpful learning tools built into the instrument, letting you teach yourself how to play and perform.


A great way to get started with keyboard/piano playing. Click to enlarge.
Expressive Touch Like a Piano
If you're buying a keyboard having piano in mind, you'll want Yamaha's Touch Response feature. On an acoustic piano, striking a key harder will produce a louder sound, striking it softer will produce a softer sound. With Yamaha's "Touch Response" the YPT-310 keyboard responds like an acoustic piano.
Backlit LCD Screen
Since you spend a lot of the time at your keyboard looking at the LCD display screen, you might as well get one that's easy to see--like the backlit LCD in the YPT-310.
Portable Grand: One Press to an Amazing Stereo Grand Voice
You're never more than a button push away from the most realistic piano sound in portable keyboards today. One press of the Portable Grand button resets the entire keyboard to a stereo-sampled piano--perfect for when it's time to practice. Yamaha is known around the world for the quality of our acoustic pianos and this attention to detail is evident as you enjoy the warmth and clarity of the YPT-310 Portable Grand piano. And of course, the keyboard includes a Sustain Pedal jack on the back for practicing and playing piano pieces.
Yamaha Education Suite (Y.E.S.): Learn How To Play Now!
The YPT-310 has 102 built-in songs for you to learn to play, using the Yamaha Education Suite. The songs are separated into left and right hand parts, providing 7 levels of lessons plus a convenient chord dictionary.
Three keyboard lessons for each hand:

    Lesson One--Listen & learn the melody or rhythm of a selected song
    Lesson Two--Timing mode allows you to play the melody or chord by pressing any key using the correct timing
    Lesson Three--Waiting mode stops the playback of a song until you find the correct note and then continues
    Lesson Grading--monitors your progress as you practice each lessons two and three and gives you a grade.
    Chord Dictionary--shows you how to play chords and tells you which chords you are playing by displaying the notes and chord name on the LCD screen.

Notes and chords are displayed on the screen for learning.
Stereo speakers for realistic character and spatial depth.
Sound Effect Kit: Have Some Fun!
If your student doesn't think playing keyboard is cool, wait 'til he hears this keyboard! Get the world of Hip Hop and all the hottest sound effects in your Yamaha keyboard. Push the Sound Effect button, hold down a key with your right hand, and you're groovin'!
Sound Quality: Real Stereo with Bass Ports (Not Just 2 Speakers)
Some keyboards have two speakers but aren't stereo. Don't be fooled. Just because a keyboard has two speakers doesn't mean that it's truly stereo with two separate amplifiers. All Yamaha Portable Keyboards feature stereo-sampling technology.

    Bass Ports--Port on each speaker that adds a powerful impact to bass sound reproduction
    Stereo (Not just 2 Speakers)--We all know that stereo sound adds realistic character and spatial depth. But how can you tell if the portable keyboard you're looking to purchase is stereo or not? With Yamaha, the answer is simple. All Yamaha Portable Keyboards are true stereo.

32 Note Polyphony and 16 Part Multi Timbrel
In electronic keyboards, the more sounds made at the same time--polyphony--the more memory is needed. Obviously, more is always better, because too little polyphony can cause dropouts in dense passages of music. Some keyboards at this price point have only 12-note polyphony. The YPT-310 has 32 notes of polyphony and will play back 16 different parts or sounds at once (16-part multi timbrel); enough for the most demanding needs.
106 Accompaniment styles and the One Touch Setting
The YPT-310 comes with 106 built-in styles, waiting for you to play along with. It's just like having a built-in band. Call up your favorite style of music like Rock, Big Band or Country, press a chord or play Single Finger mode, and the YPT-310 will follow you through a piece of music, providing all of the drums, bass, piano, guitar, horn and string parts for you. And to make it easy and fun, when you select one of the styles, the One Touch Setting function will automatically configure keyboard parameters, such as voice selection and digital effects, to match that selected music style. In addition, you can transfer new Styles into the Flash ROM in the keyboard. Selections can be found at www.yamahamusicsoft.com.
482 General MIDI (GM) and XGLite Voices
The YPT-310 has a large selection of professional sounding voices called XGlite. Only Yamaha's best keyboards have the capacity to support and reproduce Yamaha's XGlite voices. The result is amazing sound quality and almost 500 voices for you to choose from, offering even greater compatibility with both 3rd party and Yamaha XG software. For a look at some of the GM/XG music titles available from Yamaha, check out www.yamahamusicsoft.com.
Computer Connectivity and Flash ROM
The YPT-310 comes with 102 built-in songs and an interactive lesson system, divided into left and right hand parts, for learning them. In addition, you have the ability to connect to a computer, download more songs from the Internet into the internal Flash ROM, and use all of the Yamaha Education Suite V5 features to help you learn to play them. Yamaha makes it easy to get connected with the new PC button. Now, instead of wading through function menus and fighting through a maze of selections, one button is your expressway to music on the web and your computer. You can connect to the MIDI (Musical Instrument Digital Interface) port on the back with an optional USB-MIDI Interface like the Yamaha UX16. Once connected, you can play your songs into the computer, edit them if necessary, and e-mail them to your friends and family. And with General MIDI (GM) and XGlite compatibility, song data always plays back with the correct sounds.
9 Digital Reverb Plus 4 Chorus Effects
Yamaha has long been a world leader in digital signal processing technology. In fact, Yamaha professional audio products are found in most professional recording studios around the world. The YPT-310 takes full advantage of this know-how, giving you an extensive range of nine, top-quality reverb effects that simulate playing in everything from a small room to a large spacious concert hall and four chorus effects that add richness to electric pianos and guitars in particular.
What's in the Box
YPT-310 Keyboard, Music Rest, Owner's Manual

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Kurzweil SP2 76-Key Weighted Stage Piano Review

Kurzweil SP2 76-Key Weighted Stage Piano[With increased use, I'm becoming increasingly disenchanted with this machine.The manual spends more time on USB/MIDI/computer talk than the practical needs of the performing musician (as opposed to the "programmer").The 16 set-ups are absurd as are the 64 programs--every spacey effect in the book but no engineer thought to include a simple piano/bass split + layered ride cymbal?The Autosplit feature (in "Program mode") is useless because, unlike the PC2, it doesn't raise the left-hand pitches by an octave while simultaneously lowering the right-hand pitches by same so that both hands will be playing in the appropriate register.Consequently, the user can transpose one hand but then discovers that the non-split notes are now in the wrong octave and can't be transposed separately.The only solution is to wipe the slate clean, start with a blank set-up, and construct each program from scratch.It's laborious work, best begun well in advance of any gig, and done on a program-per-day basis.So many musicians may as well forget about "Program" mode altogether and concentrate exclusively on constructing their own "Set-Ups."Finally, in the last couple of years Kurzweil has released or re-deployed the few specialists who knew anything specific about their complex computer-instruments.Whereas the company used to be responsive to befuddled users' questions, their customer support is now virtually non-existent.Kurzweil seems to be going out of their way, even with the PC3, to limit their instruments to advanced computer specialists or to musicians who simply push the buttons and play whatever programs are available at the highest surface level.]

Until the SP2 appeared comparatively recently, I had claimed the Kurzweil SP76 as the least expensive keyboard that a self-respecting professional performer might be able to "get away with" on the job.Now I can revise that claim, bestowing the same on the SP2.The main advantage of the SP2?There are actually two: first, it doubles the number of voices (programs, patches, objects, or sounds, if you prefer), providing 64 instead of a mere 32 (the SP76 did not even have a vibes program); 2nd, it permits you to split the keyboard, assigning different internal sounds to the various zones created by the split.

The SP2 costs about 33% more than it's predecessor, but the above features make the hike worthwhile.Formerly, I was importing bass or vibes sounds from a module velcroed to the keyboard and spending tedious hours with the MIDI set-up. No longer.And for "popular" music, 76 keys is all you need; 88 weighted keys will add at least 20 pounds to the package.I would have purchased a PC1se, a PC2, or a PC3 with 76 keys except for all of the gratuitous add-ons and complications (these are "programmers'" hobby kits) plus the extra weight.With the SP2, I can still, as was the case with the SP76, toss the instrument in a gig bag and set up in no time (I've grown out of the need to haul monstrous, heavy keyboards, sometimes just to play Basie fills in a big band!). If I'm ever awarded a roadie, I'll pick up a Roland RD700 or Kurz PC3x or Korg M50 (the fully weighted 88-key version) or the comparable Yamaha fully-weighted 88-key monster.But for now, safety, sanity and common sense all point to the SP2(76).

If you want more voices (time-consuming, complicated) and onboard speakers (like weighted keys, requiring dollies, helpers and hernias), get an SP3x.But now you've entered a nebulous territory that I've found even Kurzweil reps have no good answers for: when you get down to it, what's the difference between an SP3 and a PC3?(I find the SP, with its protruding knobs, a "gaudier" instrument than the PC design).

Back to the SP, Kurzweil shows its lack of understanding of a musicians' needs when the company doesn't provide a dedicated button permitting "layering" a ride cymbal on to the left-hand bass sounds walking 4/4 lines (the basis of ALL "swing," for Pete's sake).Instead the company throws in an automated drum machine (!) or trumpets its "Take 6" voices (a great vocal group, but I prefer to play them on my iPod or CD player.When I once played them in public on a Kurzweil PC2, the other musicians merely laughed at me--very dismissively).Until companies like Kurzweil take the music and the musician seriously, no real musician is going to record an album on any of their hundreds of Triple Strike "acoustic" pianos.Hundreds of great pianists have had the opportunity--from Oscar Peterson and Bill Evans to Keith Jarrett and Brad Mehldau, though none has lowered himself to that degree.(Even Stevie stuck to a concert grand piano (and nothing more) at the Michael Jackson memorial.)

Electric pianos are still the realm of techno-engineers and gear-heads.These companies have got all they can handle to recreate the sound of an analog synth or Rhodes, let alone come up with a respectable piano.But at least they could listen to, say, Ahmad or Monty Alexander or Benny Green and try to service an actual musician's needs. That'll change if consumers are more demanding, and if musicians are allowed to advise the designers and manufacturers.

[Warning: What ever keyboard you decide on, make sure there's a return/exchange policy you can live with.I've frequently been impressed by keyboards in the store, only to realize after the first job that this infatuation was no more than a single-night honeymoon.The keyboard will always sound different in a different room, with a different amp, with more time to allow your ears to be bombarded by what you thought sounded like a "real" piano.(If you plan to test at the store, bring your best headphones to plug into each piano.)Kurzweil wants its keyboards to be perceived as "performer's" rather than "programmer's" instruments.If so, consumers need to keep the pressure on their engineer / designers, demanding instruments suited less for an engineer than a musician.]

[P.S. The SP2 is not, technically speaking, "weighted."See the Young Chang / Kurzweil site.]

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Product Description:
SP2 Overview: Superior Technology on the Inside...Elegant Simplicity on the OutsideThe Best... The SP2 delivers the legendary Kurzweil sound, with all of its detail and refinement, in a digital stage piano which is both professional and easy to use....

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Casio CDP 100 Digital Piano Review

Casio CDP 100 Digital PianoWe purchased this item for my wife who is an acoomplished pianist. She has a grand piano and has played and taught piano (private and college level).
Reason for purchase, to have a portable item that could be used by us in churches or situations where a decent paino was not available. This unit is very portable. A little bulkier then the smaller keyboards but you do have the benefit of a standard piano keyboard.
She is happy with the tone quality and action of the keys. The Casio will definately handle most of the music that she would play.
She realizes that this does not compare to her grand piano but she admits that it is an excellent item for the money.
The only drawback is that it does not have a dedicated line to hook into an amplifier.An adapter has to be used on the headphones jack.
Definately a good buy.

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Product Description:
An instrument has been crafted that truly delivers the joy of playing the piano to anyone who has ever dreamed of learning to play. Authentic tones, carefull sampled from a concert grand piano mate with a Weighted Scaled Hammer Action to provide for a most realistic and satisfying musical experience. It comes with an adapter and a sustain pedal. Optional matching stand is available.

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Kurzweil SP-76 Stage Piano Review

Kurzweil SP-76 Stage Piano[Since posting this review, I see that Kurzweil has come out with the SP2 and SP3.Both pianos now allow for splits and layering, the SP2 with 64 (double those of the SP76) and the SP3 with 512 voices.The only problem is that it's now difficult for an average consumer to distinguish between the SP and PC series.In fact, the SP2 and SP3 look rather gaudy to me compared to the cleaner lines of the PC1, 2, or 3.All the same, the SP2 is still comparatively light and easy to program and hence can be recommended as a player's (as opposed to programmer's) axe.Sill one complaint: you have to wonder if these designers have ever heard a jazz trio--Nat Cole, Monty Alexander, Oscar Peterson, the 3 Sounds--for whom the walking bass plus ride cymbal sound are the very essence of "swing"(what's that?).A performance instrument should have those areas covered before the toys and whistles, the effects, the drum machines, the Take 6 examples, the reverb, the RMI electric piano, and every other clever device that, basically, has nothing to do with jazz, with swing, with music is thrown into the electronic circuitry.]

I've gone through twenty different keyboards and ten brands and am currently on my third SP-76 (one was stolen).It's a trifle inflated right now (it's gone down as low as $500, but that's when the American dollar still had some value).It's the most practical solution for the modern keyboard player (and pianist), the least expensive electric piano that still carries some respectability (don't bring a Casio or low-end Yamaha on a gig).Best of all, I can play a downtown job, walk a block to the hotel with keyboard gig bag over one shoulder (lightweight stand inside) and a small but powerful cube amp in one hand in a single trip (by comparison, I see other guys rolling coffins with Roland RD700s and making 2-3 trips), then repeating the whole process at the end of the night.The SP76 is a life-saver.

I'm more of a "pianist" than a "keyboard" player, but you soon force yourself to get used to unweighted keys in exchange for the lightness, and you rarely miss the 12 subtracted notes. The SP76 piano sounds as good as any but falls considerably short of the long-gone Kurzweil K-1000.

Don't be confused by the descriptions of any pianos in the SP series.You can't split and layer sounds without an external module, the keyboard requires time and patience to MIDI, and the 32 onboard sounds are not always adequate (why no vibes?).Still if I lost another keyboard, I'd have to replace it instantly with this one or stop accepting any more one-nighters.

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Yamaha P140 88-Key Digital Piano (Black) Review

Yamaha P140 88-Key Digital PianoI recently did an exhaustive review of the digital piano world as I am trying to teach my children to play the piano.Accoustic pianos are not a choice due to the size, weight, cost, and tuning requirements.I love the idea of a piano that is always in tune (and can move if we move), but I wanted to be sure I was teaching my kids in a way that they could easily play a grand piano if presented with one.The biggest concern is muscle memory, and making sure their fingers are used to the feel of a real key.

Roland makes some of the top-of-the-line pianos, but they also come with a high cost.I am sure the sound might be a bit better, but I could not justify the expense.I tried out some of the higher-end Yamaha pianos, and while I was impressed, still was shocked at the cost.The P85 was the lowest cost Yamaha piano I tried that seemed it could be good for teaching.It sounded nice, feature the weighted keys with "graded hammer standard" (GHS), and was reasonably portable.However, I felt the P85 keys were a little hard to push with a little too much return.I had a higher-end Yamaha nearby (non-portable) and found the keys much better.The store also had a grand piano, and the higher-end Yamaha was much closer than the P85.

With a little research, I discovered that the high-end Yamaha pianos (the ones that cost $2k and up) use "graded hammer effect" (GHE), a step up from GHS.The P-140 was the least expensive piano to support GHE.It also has 64 note polyphony, 14 voices with 3 tonal varieties, and support for a sustain pedal (you only need 1 pedal for most playing).

What are the downsides to the P-140?Some other digital pianos have far more voices, more recording capability, and louder speakers.I think the built-in speakers on the P-140 are rather pathetic.But they are good enough for practice.

When I bought the P-140, the P-155 was being introduced.It has essentially replaced the P-140.Better speakers, 128 note polyphony, and more features, but essentially the same piano.I found a seller who was looking to liquidate his P-140's for a good price (with a free stand as well), and I decided the P-155 was not worth the extra cost.If my kids really start playing seriously, I may invest in a Roland, but for now, the P-140 makes sure they don't learn bad habits.My number one criteria was realistic action, and the least expensive way to get into the higher end GHE is the P-140.

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Product Description:
The Ideal Fusion of Rich, Expressive Sound and Exceptional Style As the newest member of Yamaha's P series line, the P-140 delivers incredible sound performance at an incredibly sound price. Featuring Yamaha's highly acclaimed Graded Hammer Effect keyboard as well as realistic piano and instrumental voices, the P-140 offers both the authentic feel of an acoustic piano and the advanced features of today's digitals. Whether you are an accomplished or aspiring musician, the P-140 has the simple operation and superior style you need to showcase your abilities.

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Kurzweil SP2XS 88-Key Stage Piano With Speakers and Stand Review

Kurzweil SP2XS 88-Key Stage Piano With Speakers and StandNow that all Kurzweil's can be layered and split, their glaring weakness is all the more conspicuous.The company, in my opinion, makes the best digital pianos--in terms of sound, versatility, and keyboard "feel"--but with the most convoluted, incoherent, least helpful instructions.Guaranteed to lead to many all-nighters for musicians just trying to "set up" the keyboard for the next day's gig, which may not have a bass player or drummer.

If you have q friend, or a knowledgeable techie/gear-head who works cheap, by all means hire him.The manual, as usual, looks like it's been written by a committee.After talking about the most "powerful" dimension of the keyboard as its adaptiveness to set-ups, it fails to explain or illustrate how to construct sounds in the favored "set-up," or "500," mode rather than the more limiting "performance" mode.It gives no directions or helpful illustrations on how the user might be able to use one of the factory set-ups (all of them unusable) as a "template" to help the user with the creation of his own more practical set-ups.It doesn't explain how to transpose a good acoustic bass sound up an octave into a playable range without having all of the notes in the treble, or right hand, also transposed, except into an unplayable range.It provides a paragraph on doing a "hard reset," so that the player can get rid of all the monstrosities he's created and start afresh--unfortunately the manual fails to provide the vital information that before the "reset" button will activate the instructions permitting a hard reset, the user must first depress the "Global" button.(By accident, and several hours later, I finally stumbled upon it.)

Whether the reader finds it merely curious or confounding, the manual will introduce and begin to discuss some of the specifics of splitting, layering, set-up programs, etc.Then in a late section of the book, the reader finds a paragraph stating that the instrument is capable of "layering and splitting, which means adding on another sound or dividing the keyboard into two or more zones so that different sounds can be played, a feature that can often be convenient for a musician, especially one who is playing in a show" (!!!).In other words, the paragraph sounds as though the authors are unaware that anything preceded it.Instead of specific instructions, we're given a reductive introduction that sounds like it belongs in the ad sheet!I's in details like this where Kurzweil seems determined to cut the corners, in the process cutting the frustrated user to shreds.

I could say that this latest Kurzweil gives me more problems when, during the middle of a fast-moving passage in the middle of a tune, I attempt to go from one program to another.Often the button doesn't register my quick press, the light blinks back at me when it should have changed--but for all I know I've programmed it wrong.The same goes for the sustain pedal.It's the slipperiest pedal I have yet to encounter on an electric keyboard.At one time, Roland marketed a pedal with a heel flap, which made eminent sense and was quite effective (enough reason to get rid of it in this inscrutable market).The bottom surface of this Kurzweil pedal is less abrasive than Kurzweil pedals I've had with my K1000, PC2, or PC1se, squirting across a linoleum floor like a hocky puck repeatedly over the course of a 4-hour job (might as well have been 40).Maybe that's the way they like them in Minnesota.

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Product Description:
The Best...The SP2X delivers the legendary Kurzweil sound, with all of its detail and refinement, in a digital stage piano which is both professional and easy to use. Using the next generation of Kurzweil technology, the SP2X provides some of the be...

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