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Showing posts with label daw. Show all posts

Clavia Nord Electro 2 61-Key Stage Piano/Organ Review

Clavia Nord Electro 2 61-Key Stage Piano/OrganFor the gigging keyboardist, the Electro 61 falls somewhere between a Godsend and a no-brainer.It's hard to avoid hyperbole when discussing this instrument, but anyone who has toted a Hammond rig and a Wurlie and a controller and peripherals and every other blasted thing will get my drift.For 29 years, I've been condemned to driving a cargo van full of vintage keys which weren't designed to leave the living room in the first place.I've herniated myself in the process, and was almost killed in a rear-end collision that flipped my 'B' upside down.I have made every effort to 'scale down' -- Korg CX3, Micro B, Roland VK7, Oberheim, Hammond XM3, and oddball stuff.All of the aforementioned fell woefully short of Hammond heaven, and of course, didn't offer any EP features or anything else.

The buzz about the Nord was intriguing, so I checked one out at a local store.Typically, the young, cooler-than-thou clerk could barely get the thing to power up, and I was pretty much left to navigate on my own.But five minutes on the Electro made me a believer (of COURSE I ordered one online -- any dope on the floor of a music store who can't get a keyboard that produces five sounds to work doesn't get his commission from me).

Here goes (note -- run this guy stereo, even if ya have to buy a little PA to do so): the Hammond end of things is simply exquisite.I did a little EQ stuff (the Electro features EQ and presence knobs on the dashboard.What a concept!You know, you can actually tweak your sound during performance...), rolled back the key click, and entered my own registrations.Fat, juicy, and soulful.Big, even in the high harmonics.Not a trace of cheese.Outlandish chorus.Completely persuasive percussion.The best Leslie ever, and I don't mean 'pretty good.'It sounds like the real deal.I personally don't have an issue with the 'draw-buttons' and I like controlling the Leslie speed via footswitch.The last thing I want is another broken bakelite switch hanging pitifully on my 'board.

Rhodes: ya want Richard Tee?Yassah."Just the Way You Are?" (you'll actually want to play the old warhorse) -- roger roger.Steely Dan ala Victor Feldman and/or "Nightfly" stuff?Yes jones.Through the Electro, younger players might actually discover what a Rhodes really sounds like.Twenty years of screaching over-cranked synth knockoffs did the Rhodes sound no favors.

Wurlie: intitially, I couldn't find one quite 'mean' enough, but five minutes with 'presence' did the trick.Early Ray, in a big way.A little tremolo and it's Mussel Sholes central.Just like my 200.Plays like it too.Light, but CONFIDENT feeling.

Clavs: good grief.Perfect.

CP80:Back in the day, I wanted one desperately.But, of course, like every thing else back in the day, I coudn't afford one.Now I OWN one.I LOVE it.Newbies probably won't 'get' the CP80, but us old timers will have our fun.

Piano: contrary to most opinions, I think the piano is very good.I don't like it as well as my Kurweil 1200 Pro I, but it's entirely usable.I re-EQed it, rolling off some of the not-so-pleasant highs.Prior to a gig recently, I played some standards using the piano sound.I was testing the waters to see if the relatively short keyboard and on-board piano would work for jobbing.Absolutely.It won't cut stride, but an Evans-esque approach is A-OK.

Conclusion: the Electro 61 is hands-down the most impressive and exciting 'keyboard' I've ever owned, and I have had a ton of stuff.Unlike a synth, it is designed for the player to make music on it.In that sense, it is a bonafide musical instrument.

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Product Description:
The Nord Electro 2 is the next big step in the development of the Nord Electro series of stage keyboards. Among the features of the Electro 2 you'll find the new Mega Clavinet sound which offers all the filter and pick-up variations of the original Clavinet D6! This means that you'll be able to access no less than 60 + 4 different Clavinet D6 sounds in the Electro 2!Thanks to the remade piano sample playback engine, the polyphony for the piano sounds is now greatly enhanced. The new piano sample playback engine also made it possible for Nord to digitally model the sounds you get when you release keys on a piano instrument. For example, the Clavinet and the Wurlitzer have very characteristic key release sounds. In Nord Electro 2 this is very faithfully modeled. The new sample playback engine also allows for playback of stereo pianos. In the new factory sound library Clavia has included a great new Acoustic Grand piano - in stereo. The Electro 2 also features great new vintage-style effects in the Effects section. Nord has also beefed up the Overdrive distortion to sound more like an overdriven tube amplifier.Nord Electro 2 fully supports USB download of Nord Electro piano samples. Now you will be able to download new piano instrument samples using Nord's specially developed Electro Tool sample dump program for Mac and PC! Additional piano sounds are available on the CD-R that comes with the Nord Electro 2 and also for download at www.clavia.se - free of charge! More...

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Alicia's Keys - VIRTUAL Piano Sample Library Review

Alicia's Keys - VIRTUAL Piano Sample LibraryThis is a fantastic plugin. It works standalone and in your favorit DAW, such as ProTools. It sounds like if you were sitting at a real (good) piano. The light tones sounds like a real piano where the string almost have no sound, and the deep tones are really nice and deep.
My girl wouldnt play any other pianos cause they didnt sound real. Even ProTools piano (that is quit allright), werent good enough.
The folks from Native Instruments have done a fantastic job. Thumps Up.

Click Here to see more reviews about: Alicia's Keys - VIRTUAL Piano Sample Library

Product Description:
Together with Danish sample specialist Thomas Skarbye (better known by his company name Scarbee) and impulse response expert Ernest Cholakis, Alicia Keys has created a virtual piano that meets her professional standards and embodies the soulful sound that has become her trademark as a superstar. This is the piano sound that has helped Miss Keys win multiple Grammys and reach the top of the charts. ALICIA'S KEYS was sampled from her own playing, recorded in the artist's own studio under the supervision of her trusted engineer, Ann Mincieli. The instrument samples come from Alicia Keys' very own Yamaha­TM C3 Neo grand piano. This unique and highly-sought after instrument was built to celebrate Yamaha's 100th anniversary in 2002 and represents the very top of the Conservatory Collection line. The exquisite and unique sound of the C3 Neo were painstakingly captured by Thomas Skarbye, Kontakt script wizard Nils Liberg, and Grammy-award winning engineer Ann Mincieli - making this exclusive instrument available to everyone. Using vintage microphones and preamps and through detailed analysis of Alicia's playing, the team succeeded in capturing the warm, soulful and inspiring sound of the C3 Neo all the way down to the finest nuances. Alicia herself says, "I feel confident that we came up with the best virtual piano you've ever heard and I am excited to introduce it to you! Ann, Thomas and Nils are a brilliant team!" Great effort was put into making ALICIA'S KEYS as authentic as possible. Designed with incredible precision, and incorporating subtle details such as mechanical release noises, a specially developed sympathetic resonance and release system, and even the sound of fingers hitting keys (optional), this unique instrument delivers plenty of lively realism. So much in fact, that Alicia Keys herself used it exclusively on her latest album The Element of Freedom.

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